Being “unconscious” of one's sources has potential risks and potential benefits. On the risk side, it’s possible to stay so close to the original that you are simply writing pastiche. On the benefit side, being unconscious of influences allows a seamless mix and match of many influences into the blend that makes up true creativity.It's got me thinking about how this carries over to other mediums besides the written word. Singer/Songwriters often speak about their influences and often those artists were the ones their parents listened to. I remember my Dad listening to Elvis, Alice Cooper and some other band
with a song called "Chicken Train" on our 8 track stereo. And my mother had a large country music collection including Alabama, Kenny Rogers and Waylon Jennings. These influences have a large part in what I listen to today and I love that I can trace it all back to those memories.We all know the rich history behind painters and the huge influence they had on visual artists. Many visual artists will rattle off their favorites -Mattise, Picasso, and Cezanne. If you look closely, you can see those influences in their work and they are happy to speak of them. Same goes for photographers.
What about scrapbookers, knitters and crocheters or sewers or jewelers? Where do they find their influences? I would imagine the mothers and grandmothers who taught them their craft had most of that influence when it comes to technique but what about style? Influence can come from many places. What has influenced you and how does that play out in your work? Take a moment to think back to your childhood. What was around you then? Who was around you then? What were your passions, your interests? It is important that we understand what influences us so that we can harness or ignore it - which is what I'll write about in part 2 of this series. Comment about your own work. I'd love to hear about who you see in your craft.
by H.E.Eigler of Maternal Spark
image via wikipedia
Like this post? Subscribe and never miss a spark!












